How it Feels to Finish a Project

You have a ton of tasks to tend to when it comes to crafting your stories, and writing scenes is one of them. What is a scene?

There comes a time when you tick off everything on your revision to-do list and call the project “done.” It’s a moment of stunned exhilaration–a rush of excitement at crossing a self-determined finish line paired with a kind of disbelief that you made it.

Though none of us ever ends up creating exactly what we set out to create, with enough persistence our initial aims eventually reach some kind of target. And that happened for me last week. I finished my revisions for my non-fiction book.

It feels… strange. In part because other lists have been breeding in the background, all the what-to-do-next tasks, and there are plenty! But this moment arrives one day, a moment of completion. It’s as whole, clear, and delightful as a breath-blown soap bubble, rainbow-tinted, light, and… temporary. It must be savored.

I did reach the end of my revision list, but (as those who’ve been there know) I could easily keep adding more to it, keep striving for improvement. So how do I know I’m done?

Something subtle inside has shifted, and with it an awareness that a significant phase of work is complete. Paul Valéry is credited for saying, “A work is never completed, but merely abandoned.” (Fuller translated quote below.) And I can’t deny I have that feeling of wanting to give up and turn away from the project now. But it has a different quality than procrastination or resistance.

How do we trust this inner sense that something’s done? It’s a little like trusting a new friend or lover. We can’t be totally sure we’re right, but we go with it anyway, aware of our vulnerabilities but willing to see where this next stage takes us.

Done never means perfect. In fact, for a writer to complete a project, s/he has to have made peace with imperfection. Completion can never lead to perfection, but it can lead to value. And that’s what we should be aiming for. I can say, without a doubt, that the book I’ve finished isn’t perfect, but I believe it has value.

For creators of any kind, a desire to make things is underpinned by a desire to contribute value to the world in some way. We work on projects that matter to us, and we hope, one day, they’ll matter to someone else too.

I’ll keep you posted on my next steps as I proceed. For the moment, I am breathing a sigh of relief to be done (for now ).

My work involves coaching other writers on their paths to completion. Sometimes I play a large role and sometimes a very small one. I reached out a few writers I know who have recently finished first drafts or revisions and I asked them how they feel when they finish something. Here’s what they said:

Once I write the final sentence it feels as if I have returned home from a long trip. Happy to be back again but I know there lies ahead of me a good deal of unpacking, and laundry, before I can settle in again.

~ Bromme C., working title: When Soft Voices Die

Even after working on the book for over two years, the realization that it was finished seemed to come out of nowhere. I think of whipping cream by hand, you keep whipping and whipping you’re about to lose hope, suddenly there is the cream with perfect peaks. So many endeavors require a leap of faith. I was elated when I realize the book was done. That feeling stayed with me and helped push aside doubts as I started a new novel. It’s a short novella but I do think of myself differently now that I have finished it, and I see the book differently as well, as something that exists separate from me.

~ Melanie D., working title: People Who Love You

The lady at Staples handed six copies to me, 350 pages each bound with a blue cardboard front and back cover. They were heavy, but my spirit was light as I waltzed to my car carrying the manuscripts, the first draft of my first novel after five years. Now it’s out there, being read by my beta readers. I feel a liberated sense of achievement. I know I still have more work to do on it, but I’m motivated to return reinvigorated with ideas to, in the words of Paul McCartney, “Make it better!”

~ Ariela S., working title, Survival

When I finished my novel and sent the requested draft to an agent, I felt an incredible sense of both momentum and lightness. Finishing energy feels wholly different from starting a project and requires laser concentration, patience and kindness to self. Letting go of your story into the world requires humility and courage.

~ Elena K., working title: Spotlights and Shadows

Thanks for sharing such wise, personal insights. And congratulations to you all!! Can’t wait to see these stories in print!

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What Do You Owe Your Readers?

In a word: Everything. Reading might be the single most intimate act you will experience with a stranger.

In a word: Everything.

Reading might be the single most intimate act you will experience with a stranger.

When you open a book, you let a complete stranger into your most private space: your mind. Once there, this wordsmith sets up camp and creates words that conjure feelings, actions, and meaning. It’s a privilege to be invited into your mind, and this writer better have something useful, funny, evocative, intelligent, illuminating, or entertaining to say. Or voilà! You can snap the book closed and move on to something else. We’ve all done it. And we’ve also all leaned in when something has grabbed our attention and we felt that sense of “give me more of that.”

Writers start out as readers. They are captivated by the magic of words, but then they choose to take another step. They say, “I want to make the magic too.” It’s an innocent enough desire, and one most writers spend a long time trying to fulfill. It’s honest-to-goodness hard work, and most of it isn’t magical. In fact, we can get so caught up in the effort of honing our craft that we sometimes forget the ultimate reason for it: to court the love and loyalty of readers.

But how do we do that?

Well, first, we lovingly respect our future readers. We take them seriously. They have busy lives, lots of interests, and longings of their own. Because of these facts of existence, you, as a writer, owe your reader at least three things:

1) Tell a Good Story.

Tell a story that is compelling enough to make readers pause in their busy lives. We all appreciate good entertainment, relevant guidance, or breakthrough inspiration. Who hasn’t stayed up all night with a good book? Rather than being angry with that author we’ve been grateful for their powerful seduction, caught up as we were in their magic. Do whatever you have to do to learn how to wield this magic.

2) Don’t Please Everyone.

Readers have many tastes and interests and I guarantee that if you’re true to your “thing,” and hone it passionately (and follow point one), you will find your readers. Trust what drives you, work diligently at your craft, go deeper, cross all your Ts and dot all your Is, keep trusting, and don’t give up.

3) Speak the Truth

By all means tell your readers what they want to hear, but also tell them what they need to hear (from you). Take your reader on a wild ride with your thriller, but remind her about the human condition on the way. Get real in your fiction. I like to define fiction as “lies that tell the truth.” We often turn to made-up stories to discover deeper truths about ourselves and the world. And if something is true for you, it will resonate as true for someone else.

As a writer, you’ll never make every reader happy, and you needn’t waste your time trying. You can only do your thing for those readers who like to lean into your thing. But you must do your thing well. So learn more, practice more, get support, learn to take constructive feedback (and don’t take it personally), and take each project to its finish line, which, we have to admit, is into the hands and hearts of readers who want more of that.

And remember: If, by picking up your book, a reader invites you into their mind, and possibly their heart, enter boldly but respectfully, confidently yet generously, wisely and gratefully. Dot your Is and cross your Ts and you may just end up with a lover for life.

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Dickens, Dreams, and Drafts

I was recently in London and spent a few nights in Bloomsbury not far from a house Charles Dickens lived in from 1837 to 1839. It was here where he completed The Pickwick Papers and wrote the complete manuscripts for Oliver Twist and Nicholas Nickelby. His subsequent success allowed him to move on to grander homes in London, but this is the only one still standing and it’s now a museum.

I was recently in London and spent a few nights in Bloomsbury not far from a house Charles Dickens lived in from 1837 to 1839. It was here where he completed The Pickwick Papers and wrote the complete manuscripts for Oliver Twist and Nicholas Nickelby. His subsequent success allowed him to move on to grander homes in London, but this is the only one still standing and it’s now a museum. The photo here is of Dickens’ desk.

I marvel at Dickens’ creative productivity, his popularity and financial success achieved during his lifetime, and his variety of story subject matter (he was writing about the plight of common and poor people at a time when very few were).

The success or productivity of other writers, past or present, can be a source of inspiration or depression for many aspiring writers. The daunt we might feel when facing our own work or contemplating the achievement of others shouldn’t stop us though. Someone has to write stories. Why not us? We probably can’t expect to be a Dickens, but we can sit down at our desks and apply ourselves to our craft. You won’t know until you try.

Speaking of trying… The trip to England was the first step of a new adventure I’ve embarked on: living abroad for the better part of this year. It has been a long held dream of mine to live in different parts of Europe for short stretches of time and write. This year I have an opportunity to take a leap of faith and turn this dream into reality. I sold my apartment and put everything into storage. And now… Well, to say I feel daunted would be an understatement!

I’m planning to give myself over to the drafts I have in progress and experiment with some new things I want to write. And I’m going to live this story. I’m just at the beginning; I have a few things sketched out for the middle; but I have only the vaguest notion of an ending (no idea really–I’m making up the story as I go along). I’m going to try living this out in the way we often write stories: not knowing if anything will work out but having the faith (and courage) to face the fears (and failures) anyway.

My first stop will be a tiny town in Brittany next to the middle of nowhere. I’m not the first person, nor will I be the last, to fall in love with France. I fell hard almost thirty years ago, so I’m following my heart and starting there.

When we set out to follow our dreams–whether to write, travel or try something new–we can’t predict where these dream-turned-reality paths will take us. We can only find out by following the path one step at a time.

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